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A New Magic Carpet Ride

Disney's animated film "Aladdin" re-envisioning is about ready to hit theaters.

The director; Guy Ritchie, is the man responsible for the reshuffle of the 1992 classic, which appears to be a potential another box office hit for Disney once again. In the role of the famous blue bottled Genie, Will Smith, who has slipped into the role made famous by Robin Williams seamlessly. For fans it was either a perfect fit or a miss-casting. Will Smith is aware of the high expectations fans have placed on his performance: "I was really scared in the beginning. You have to be careful with movies like this because they shape people's childhoods."

For me there is a certain nostalgia associated with the film since it was one of the last that I got invested in in my mid-teens.

Director Guy Ritchie wasn't put off by the expectations people placed on him. The couples three children played a role in their father's film choices.

"My children forced me to make a family movie," he quipped in an interview. "Aladdin was a logical choice for me. I was a fan of the 1992 animated version. One thing led to the other."

The film also stars the Cairo born actor Mena Massoud, with Princess Jasmin played by Brit Naomi Scott.

Aladdin isn't the first Disney animated film that has been subject to a live-action relaunch; "The Jungle Book " and "Dumbo " have already been re-filmed. And later this summer we'll get treated "The Lion King."

Aesthetics & Heuristic Organization

I once read a paper early in my career about aesthetics as a means of heuristics in the field of organizations. This was a boon for me because it pushed me in a direction that I may have overlooked at that time.

Today I want to visit some of those concepts and maybe you too can see the benefits of aesthetic heuristics.

Before we continue it would be pertinent to look at the topic of aesthetic organizational research, the organization represents a contact resulting from the human ability to utilize all senses to produce knowledge.

When we follow this approach, the area in which knowledge is generated is further developed in languages and in processes that cannot be verbalized or are very difficult to verbalize, such as gestural languages or intuitive processes. The ability to produce knowledge thus begins not only with communication, but already with the ability to sense and perceive.

Moreover, this approach is not systematic, but emphasizes the heuristics with which organizational life takes place, and does not follow the myth of rationality.

Unlike rational and intellectual knowledge, aesthetic ability is heavily dependent on heuristic mechanisms, which is not logically detectable, but nevertheless binds the organization to a reality that is at least as powerful as behavior certainties.

The aesthetics do not follow rationality so much as obey forms such as hieroglyphs, gestures, myths and metaphors.

As a result, the rational analysis has shifted the discussion away from the claim that such a claim is capable of recognizing facts in the most appropriate way in the best possible way, but rather an aesthetic view is required that interprets, since only in this way is the system really relevant and can be examined and, above all, can reach the right and targeted conclusions. The aesthetic knowledge corresponds to the post-modern understanding of organizations, since this is also partial, fragmentary and modest and has far more to do with the postmodern consumer and customer than the generalizable, universal and objective Knowledge of rational analyses.

Passive perception, that is, attention, is therefore not synonymous with aesthetics, since aesthetics are a tool of contemplation and observation, and actively and not only passively interferes in the processes of perception. But aesthetics are also not synonymous with artistic understanding, since there is no processing of materials here, but only a consideration. Moreover, aesthetics are not an emotion caused in particular by a sense, but a heuristics that arises from several experiential impressions, i.e. a mesh, and should be used for this purpose. Thus, the approach calls for far more than the analytical approach, since here the observer also integrates into the observation process viewer. Wanting to rely solely on analysis does not engage at the very moment without aesthetics, when the observer must reach conclusions without support, and this is exactly what happens with every analysis when data is used.

So there will always be a moment when the observer has to intervene in what is happening. Aesthetics in the field of organizations therefore always, not only with expirations of language, but already to include processes and unverbalized gestures and mimics in order to arrive at a synthesis rather than just an analysis.

In conclusion you can see how important aesthetics are as a tool for organization when the aesthetic nature of the subject are taken into account. When this happens full potential is achievable with less direct involvement; that is through indirect means, i.e. engagement through passive perception through aesthetic heuristics.

Thoughts on Pricing

While I would like to avoid being cliché, pricing is often an under utilized and oft misunderstood strategy. So today I wanted to look at contribution margin-based pricing with you in my continued series of business related pieces.

What is contribution margin-based pricing? It is a is a pricing strategy which works without any mention of gross margin percentages. Many people are unfamiliar with it but I had the good fortune to have an amazing professor in college that saw the benefit at looking at intensely at pricing strategies that were not commonly utilized in the US at the time.

The main draw to the strategy is that it maximizes the profit derived from a company's assortment, based on the difference between a product's price and variable costs. You can calculate that by taking the product's contribution margin per unit. Then taking one's assumptions regarding the relationship between the product's price and the number of units that can be sold at that price you arrive at the product's contribution to total firm profit; This is a contribution to the operating income, which is maximized when a price is chosen that maximizes the Contribution Margin Per Unit X Number of Units Sold.

Depending on the level of employment of the strategy, a distinction is made between fixed and variable costs, which together result in the total cost.

We will look at that in just a moment.

However, first let us look at the required contribution, and how the cover can also be derived from the invoice. The contribution per unit sold is based on the net selling price minus variable costs.

Price – Variable Costs Per Unit = Contribution Margin Per Unit

The contribution does not take into account the fixed costs, i.e. the costs required to maintain the company. A contribution to cover occurs precisely when the sales revenue per unit is greater than the variable costs. The contribution to cover is thus the short-term price floor and is used precisely if it is to be decided whether:

Performance or foreign reference:

  • Acceptance of additional orders
  • General pricing policy

In order to reach the profit zone, either the price per unit must be increased or more customers gained through marketing measures in order to increase the net selling price than the total cost ( profit). Depending on the price policy, the price must either exceed the total cost, in the long term at least, or be higher than the contribution to cover; Aware that the short-term applies only to additional orders or the decision in pro/contra own performance. The contribution statement can also be used to inferred the operating result by making the sum over all units sold.

Unlike the commonly applied coverage contribution bill, this is used in connection with the Profit Center to figure out what coverage the Profit-Center bears in the general fixed costs for the company.

In many cases, the contribution statement still takes into account sales proceeds with which this profit center in particular works. In particular, this applies to pricing policy within market structure. So the net selling price is not set, but the gross selling price minus the cabling reductions like discounts.

Otherwise, the bill remains the same.

To put it simply, variable cost is the contribution to cover minus fixed cost, resulting in a profit/loss scenario per unit sold.

Bread and Wine

Something a little bit older landed on my bookshelf the other day; "Bread and Wine" by Ignazio Silone, published in 1936 by the Gutenberg Book Guild or "Vino e pane" published a year later in Italy. The book was republished in 1955 under the title "Wine and Bread," and apparently, in terms of content, it has been modified over the years but remains in print.

From Wikipedia):

Bread and Wine is an anti-fascist and anti-Stalinist novel written by Ignazio Silone. It was finished while the author was in exile from Benito Mussolini's Italy. It was first published in 1936 in a German language edition in Switzerland as Brot und Wein, and in an English translation in London later the same year. An Italian version, Pane e vino, did not appear until 1937.

After the war, Silone completely revised the text, publishing a significantly different version in Italy (in 1955), reversing the title: Vino e pane (‘Wine and Bread’). This updated version is also available in English translation.

I had learned about the author in a documentation that I watched some time ago and decided to try some of his work up. "Bread and Wine" is my first foray into that exploration.

Born in the small village of Abruzzo and died in Geneva in 1978, Ignazio Silone, whose name was Secondini Tranquilli wrote about Italy's poverty in the 1930s and the socialists' struggle against the Fascists, but actually also contains general wisdom for life. He then fled abroad, revised his books, etc.

The book follows the exploits of Pietro Spina, a young revolutionary who is being sought by authorities. To avoid capture disguises himself as an old priest known as Don Paolo Spada.

The story tells a lot about Silone's life, who lost his parents and his siblings early in on and was forced to make due without much schooling; his transition to a revolutionary and journalists were, for a time, under the scrutiny of police spies.

The book is beautifully written and for a work to survive it must be lest it slip into the space in history that is reserved for the forgotten.

Since "Wine and Bread" is still available, you can find some reviews that both provide sound information about the work giving you a good idea of what you are in store for and others. Some of them note downsides, such as "The book is adventure novel and political thriller in one" or "Wine and bread – both appear in the book while the figures consumes them regularly, the title does not suggest the actual content. It is also increasingly political and exciting towards the end."

While I find it good that they read the book it feels like they have missed the point. Neither of the opinions are capable of painting the work in a light that would be relevant to the themes and messages the book covers.

I will avoid going into much detail about the book; Instead it is more important to understand the time in which it was written, the struggles people faced, as well as the understanding that it is truly not a work of fiction but a document of the time.

For instance, the lives of the landless peasants are described very forcefully. Mussolini is all present and is feasible for one to see that people actually had no choice but to join the fascists, because they were mislead through the news, exploited and used to further Mussolini's agenda to receive minimal sustenance and support. For a job as a civil servant, teacher, community doctor one had to sell his soul and the poor students got money for their food rations, but only if they agree.

The book explores the populist rhetoric undermined the fabric of society and fake news was employed in much the same manner as today.

It is a time that we cannot return to.

Beet Risotto with Honey and Rosemary

I love my heavy cast iron pot. I have begun using it almost daily: Bolognese sauce succeeds particularly well in it, all kinds of stewing dishes and also oven risotto*.

That's why I was really pleased when people bring up the topic of "Dutch Ovens."

For those of you who don't know what a Dutch Oven is it is just a fancy name for a heavy, cast-iron pots with lids that are oven proof which you can even put in a fire with glowing coals. Wow…

*I cooked an oven risotto in my Dutch Oven this weekend. The great thing about the pot is that the stirring is actually completely eliminated. I couldn't believe it at first either – but it works flawlessly. At first it seemed like a big risk. I didn't want to end up with burnt rice that needed to be unstuck form the bottom of the pot. But…

The risotto turned out great. Actually better than any risotto we've made on the oven.

Ingredients for 2 people:

  • 360g risotto rice
  • 1/2 red onion
  • 400g red beet about two medium or one large beet
  • 1 tbsp honey
  • 1 tbsp chopped rosemary
  • 500ml vegetable stock
  • 25g butter
  • Salt and pepper
  • 50g goat gouda/-fresh cheese or pecorino (we get ours at Sam's Club)

  • Preheat the oven to 375° F.

  • Finely chop the onions.
  • Peel the fresh beet and cut it into small cubes so that they will soften by the end of cooking. Pre-cooked the beet if you do not want to cut it quite as small. Fresh beets definitely add a nicer color to the finished dish.
  • Add all ingredients, except for the cheese in Dutch Oven and close the lid-

Put the pot in the oven and let the meal cook for 45 minutes you can now dedicate yourself to your other household activities: folding laundry, mowing the lawn, or drinking a small aperitif …

Hungry now?

Remove, stir, season with salt and pepper – it's time to eat. Supper is ready.
Sprinkle with cheese and serve.

Kubrick A Retrospective

For Stanley Kubrick's fans it is apparent he offers us a look into surreal worlds which challenge our sense of being and morality. But his works are richly layered and offer a broader look at both the future as well as a look into the past when they were created.

Now London is home of a retrospective dedicated to Kubrick's work and rich sense of director until September.

The exhibit honors the renowned director, screenwriter and film producer, marking the 20th anniversary after his death. It shows his creative process; step by step, throughout the whole creative process and gives us a look at one of one of the most acclaimed filmmakers of the 20th century.

Many of the objects are on loan, belonging in private collections and and are now shown for the first time. His daughter Katharina Kubrick, said: "It's all our stuff, all of Dad's stuff. We had them at home, he never threw anything away. Everything was carefully cataloged and kept in boxes. When we moved, it all came with us. I don't think he'd envisage an exhibition, but there was a reason he didn't throw anything."

Awards and iconic movie objects like from films like: "2001" or "Clockwork Orange " are on display at the exhibition.

Kubrick, who was born in New York, moved to London at the beginning of the 60s which became the center of cinematographic operations for the director.

For Kubrick it only seemed logical to use it as a setting for all of his films which was also extraordinary for the time. That is why it is was really the only choice for a retrospective were made in London. He was a master when it came time to recreate these worlds audiences enter when they watch his films. It might be a hotel in the Rockies or for battlefields in ietnam, or space, were ever it was he could transport you there.

About 500 objects are included in the exhibition which lasts until the 15th of September at the Design Museum of London.

On Cleaning the Washing Machines Correctly

Recently, when I emptied or filled the washing machine, I noticed a foul musty smell. Call it wishful thinking if you will, but I tried to rationalize it away. First I pushed it on to the loads of wash waiting in front of the machine. However, when these were washed and cleared, the smell still lingered and I had to become suspicious that it was coming from the machine itself. As a first measure, I cleaned the filter screen, but there wasn't much in it there and as I learned today, that might not be the cause at all.

My half-knowledge about care gleaned from my childhood and the Internet reminded me that frequently washing on cold leads to deposits, which in turn cause odors, as does frequent use of liquid detergents. We like liquid detergent better since it somehow leaves the clothes softer. Still, it does not work as well, which can be seen in test after test it is probably based, among other things, on the fact that bacteria is not killed and the rest, well you can figure that out.

Since we had bought some new towels from the Ikea and we wanted to having the colors run (we suspected that they might run) we washed them with some disinfectant laundry detergent. I assumed that any smell would disappear.

After washing, I opened the washer to get a penetrating smell of the disinfectant, paired with the disgusting stale smell.

Okay, the experiment failed.

The next solution was to revisit the manufacturer's website which said that low temperatures could lead to strange odors and it was recommended to let them send out a specialist (machine cleaner). I refrained from calling one out.

I came up with the idea to look for a manufacturer-independent cleaner for washing machines in the local drugstore. I found one, bought it and threw it into the machine when I got home. During the cleaning process, a strong citrus scent developed throughout the house and if you got too close to the washing machine, you noticed an acidic lemony taste in the mouth. The whole thing was suspicious but I felt like I had accomplished something.

Convinced that everything was fine I once again opened the machine only to be hit by a strong perfume smell backed up with the already well-known stink.

After the series of failed tries I ended up calling the manufacturer of the machine, and for good measure the dealer where we bought it.

And so I now share; for the interested reader, my accumulated knowledge of washing machine cleaning.

The deposits in the machine consist of fat, detergent residues and lime. Fats, dirt and lime require different solvents. Sounds logical and fits my residual knowledge from chemistry lessons. For this reason, the machine cleaner I used could not work, because the cause of the smell is not the fat deposits. Rather in the lime deposits.

Disinfectant only makes sense in very few cases. The frequent use of disinfectants only leads to allergies. Apart from the fact that it is pointless in this case, see above, regarding the source of smell. Most bacterial/viruses etc. die at higher temps and the use of disinfectants is therefore unnecessary, only thanks to the overpowering perfume do you get the feeling of cleaner machine. And furthermore, normal household cleaners kill almost everything, so their use in most cases is senseless.

So, back to the actual subject, how do I get the stench effectively removed.

First, let the machine wash empty at the highest possible temperature. The addition of a cleaner is not strictly necessary, because there are still enough remnants of detergent in the depths of the machine. This can be seen that foam formations occur when it is absolutely idle. I have been able to observe this myself so I know that it is true. With this method one removes the greasy dirt that is stored on the lime.

In the next step, you take a washing machine de-caulker that can be applied at normal temperature, according to the expert. This then dissolves the lime layer, which is probably the main cause of odor formation. You can't take every de-caulker because it depends on the dosage and that should be right for your machine, otherwise, it won't work. Too low a dosage does not dissolve enough, a too high reacts with the aluminum in the machine, I forgot what the exact component is called but will and cause the drum to turn black inside.

Don't take any de-caulker either, I de-caulker in the second drugstore I looked at that is explicitly made for washing machines. The one that I selected instructed you to wash at the maximum temperature when using it.

In the last step, the machine is left to run empty at a high temperature, so that the grease/dirt layer under the lime layer is now removed. I was told that the detergent remains would now be out; it should not produce foam this time, which I can also confirm. The smell was also gone after this step to my relief.

A final comment, one should try to carry out the three steps in order and not squeeze a load of clothing in-between. Otherwise you will add new detergent to the mix which will need to be removed. Deposits will be formed, and if there are deposits of detergent on the lime again, this cannot be removed by picking up where you left off. To avoid this I did everything one evening and finished with the last step in the morning. But if you don't wash, you are welcome to allow yourself a day in between.

I hope I have been able to help someone with the case of the smelly washer.

142 Migrants Rescued From An Abandoned Truck In Mexico

For many Americans it is hard to imagine what it would take to force us to give up all that we have and make a journey to a foreign country, risking our possessions and lives for a chance at a little bit better future. But that is what is happening right now as I am typing, right now as you are reading. And that is why, dehydrated and crammed in the back of an abandoned truck like animals 142 Central American migrants, mainly Guatemalans were rescued by Mexican authorities yesterday.

Among them were dozens of children, some very young, who were saved thanks to an anonymous call that informed the authorities about the presence of the abandoned truck on the edge of a road in Amatlán de los Reyes, a municipality in Veracruz.

Red Cross doctors were asked to assist the migrants, who have then been placed in the hands of the migratory services which will be responsible for their deportation.

The 142 people arrived from Chiapas, crammed in a trailer which measured just forty feet by eight wide, with only a few fans to withstand the intense heat. Once they realized that they had been abandoned, they tried in vain to open the door and shouted for help.

The migratory flow to the United States was swelled at the end of 2018. The repression of the Mexican authorities is increasing, while the migrants are returned to the mafias and traffickers.

The Venice Art Biennial 2019

The Venice Art Biennial 2019 has opened its doors to the public this Saturday and what I wouldn't give to visit it. Not just this year, but generally speaking, sometime.

For those of you who may not be familiar with it:

The Venice Biennale (/ˌbiːɛˈnɑːleɪ, -li/; Italian: La Biennale di Venezia [la bi.enˈnaːle di veˈnɛttsja]; in English also called the "Venice Biennial") refers to an arts organization based in Venice and the name of the original and principal biennial exhibition the organization presents. The organization changed its name to the Biennale Foundation in 2009, while the exhibition is now called the Art Biennale to distinguish it from the organisation and other exhibitions the Foundation organizes.

The Art Biennale, a contemporary visual art exhibition and so called because it is held biennially (in odd-numbered years), is the original biennale on which others in the world have been modeled. The Biennale Foundation has a continuous existence supporting the arts.

This year the Golden Lion for the best pavilion has been for Lithuania by the "Sol y Mar" facility, an artificial beach inside the Arsenal's historic building.

The central exhibition is spread over the old Venetian shipyards and in the Giardini. One of the most shocking facilities is perhaps "Barca nostra ", a ship from Libya that sank in 2015, with more than 700 immigrants and refugees aboard. The Swiss artist Cristoph Büchel's project echoes again this drama, one of the worst shipwrecks of the 21st century.

And it really does have a haunting appeal to it.

"I think it is a good thing that the ship is here, as it should be regarded as a reminder of our present. It is not something that no longer exists, something that can be ignored but something that can happen again and unfortunately occurs almost every day in the Mediterranean," laments Carlotta Sami, regional spokesperson for UNHCR in southern Europe.

Special mention for the Mexican Teresa Margolles has re-envisioned the city's canals as a large concrete wall with concertinas to question the public about the divisions and violence that exists in the world.

The Israeli pavilion takes the appearance of an ER in which the visitor can see with despair that there are still 200 numbers ahead in the waiting room…

If you are lucky enough to be in Venice you will have the chance to visit the Venice Biennial until the 24th of November.

Cuba: The Mobilization Of The LGBT Community Challenges the Regime

A rally in Cuba resulted in at least three arrests. Nearly a hundred LGBT activists marched through the streets of Havana today at a new event.

They braved the ban from the regime to claim their rights, and protested against the cancellation of the pride walk, framed by the authorities, before the police dispersed the procession unceremoniously.

A draft amendment to the Cuban Constitution, which would pave the way for homosexual marriage, faces strong reluctance in public opinion, owing to the increasing influence of the Evangelical Church on the island.

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